Some species of bird feed their chicks by regurgitation: food is first ingested by the mother before climbing back up her esophagus. Some artists do the same. Pope.L makes it work.
Visual Arts
Into Focus
by Stephen Urchick •
“Multiple Exposures” achieves in the gallery what Jane Fulton Alt’s photography critique group accomplishes behind closed doors.
A Confusing Calamity
by Stephen Urchick •
Thomas Wolfe mixes more than media. His collages conflate preying birds and preening beauties, substitute blossoms for bullet-broken plywood, and suggest something strangely glandular in irises and bull’s-eyes.
Empty Faces
by Isaac Dalke •
“Runs and Goses” opens at Slow, pairing Julie Potratz with Carol Jackson and Hillary Clinton with Angela Merkel.
After the Dust Settles
by Spencer Mcavoy •
In her latest installation, “A Bad Idea Seems Good Again,” Alison Ruttan bridges the gap between home and the battlefield through a collection of small-scale clay replicas of buildings damaged in conflict.
Where the Wind Blows
by Olivia Dorow Hovland •
At the National Museum of Mexican Art, John Valadez’s “Santa Ana Condition” evokes a feeling of creative abandon—fitting for a collection that takes its name from winds that are notorious for starting wildfires.
From the Rock, Something Else
by Jason Huang •
“Drinking From the Snake’s Mouth” offers a unique perspective on an otherwise defamed activity.
Lofty Goals
by Candice Ralph •
When I found my way to the front entrance of the Lacuna Artists Lofts, the gallery was buzzing with an electricity reminiscent of an arcade.
