The Sound and the Fury: The “Event Promoters” ordinance and Chicago’s politics of noise
Music, Perspectives, Politics & Labor No Comments »The recently tabled “Event Promoters” ordinance, originally scheduled to be voted on by the Chicago City Council on Wednesday, May 14, is so patently fatuous and overbroad that you are moved to wonder how it was ever considered for passage into civic code. While the entire proposed law runs to several thousands of words, its most egregious proposal must be that “event promoters” register every performance they organize with the city of Chicago and pay a filing fee scaled to the expected size of the audience. The price of a promoter’s license ranges from $500 to $2000 for two years. Fines for offenses under the terms of the license range from $500 to $1000, and penalties for holding events without a license can reach $10,000. The definition of an “event promoter” is among the worst of the proposed law’s perversions; the tortured wordiness of the proposed ordinance makes every small-scale music professional, from the booking agent at the Empty Bottle to a singer-songwriter scheduling his or her own shows, subject to the law’s requirements. For the courageous few willing to pay the ridiculous registration fees, more strictures follow: every applicant must be over 21 years old, subjected to a background check, and fingerprinted. And each event promoter would have to inform the police of any performance seven days in advance of its scheduled start. Read the rest of this entry »